This flute is a reproduction of an original Baroque flute made by D’Almaine & Co., London, a firm of instrument makers active in the late 18th and early 19th centuries. This particular model is known as a late version of the Baroque flute because of its slightly larger tone holes.
Thomas D'Almaine (London, 1784-1866).
- Pitch: 440 Concert.
- Crafted from Olive wood.
- Wood-ends are protected by imitation ivory rings.
- The key is casted from brass and features steel springs with leather pad.
- Comes with care instructions, and a guide with a fingering chart.
- Additionally, accessories such as a plush-lined protective case, cleaning cloth, and extra key pads are provided.
Historical Pitch Choices for Authentic Performance:
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385 Hz – Early Baroque: Central European 17th-century pitch, ideal for early Baroque repertoire and historically informed low-pitch ensembles.
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392 Hz – French Baroque: Suited for French Baroque music and court repertoire, matching the traditional ton de chapelle pitch.
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400 Hz – Transitional: Bridges French and High Baroque styles, convenient for mixed ensembles or modern players exploring both worlds.
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415 Hz – Baroque: The standard Baroque pitch for most 18th-century European music, widely used by period instrument groups.
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430 Hz – Classical: Perfect for late-18th-century Classical works and early Romantic repertoire preceding the modern 440 Hz standard.
- 440 Hz – Modern Concert Pitch: The contemporary international standard used by orchestras and ensembles worldwide, ensuring full compatibility with modern instruments.
