JJ Quantz's Baroque Flute - Cocobolo or Grenadilla Wood - 1 or 2 Keys

Experience the elegance and craftsmanship of the Baroque era with this handcrafted flute of the original Johann Joachim Quantz transverse flute (1697-1773) housed in the 'DCM Collection' of Library of Congress, Washington D.C. USA.

The 18th-century composers composed their masterpieces at the pitch of A=415Hz. Our flute is the key to unlocking your music's connection to the heart of classical greatness, similar of the typically thicker and heavier flute of that era.

This model features either 1 or 2 keys: an Eb key, a standard D# key or both. Made of either Indian Cocobolo or African Grenadilla wood, It includes two middle joints—one for A=415Hz and the other for A=440Hz. It has an oval embouchure hole, tuning slide head-joint, imitation Ivory protection rings, and tuned in the key of 'D'. 

The package includes a wooden case, a cleaning cloth, replacement pads for the keys, and a fingering chart.

Classical Music Style with A=415 Hz "Corps de Rechange": 18th-century classical flute music by Telemann, Bach, Vivaldi, Stamitz, Couperin, Blavet, and Quantz. Performing orchestral compositions, symphonies, operas, and chamber music by Beethoven, Mozart, Devienne, Benda, and Handel.

Diverse Music Style with A=440 Hz "Corps de Rechange": Opens up a world of possibilities for modern music, world, Irish, Celtic, folk and contemporary compositions, allowing musicians to explore a wide range of musical genres and creative expressions.

Embouchure Hole & Protection Rings: The oval hole facilitates the production of a bigger and smoother sound, making your musical experience even more enjoyable. To replicate the timeless elegance of genuine ivory, imitation Ivory rings provide a classic touch while ensuring the long-term durability of the wood.

History: 

• Johann Joachim Quantz (1697–1773) was the best-known flute player of the 18th century. A prominent figure in the 18th century music scene. Quantz was renowned not only for his compositions and the influential book "On playing the Flute" (published in 1752), but also for his role as the esteemed flute instructor-teacher to Frederick the Great of Prussia starting from 1728.

• A Treatise on Traverso Flute Playing. This invaluable resource, published in 1752, offers insights into performance practice and flute technique from the 18th century. Its enduring value makes it relevant for enthusiasts and musicians seeking historical perspective.

• Of the eight complete flutes that survived are all from the collection of Frederick the Great.

Invention of Tuning Headjoint & Eb Key: In 1739, Quantz embarked on groundbreaking research in the realm of flute-making, contributing to the evolution of the instrument's design and capabilities.

• Quantz's legacy includes the introduction of the tuning headjoint, often called the "slide headjoint" or "swan neck." This innovative feature allowed flutists to finely adjust the flute's pitch by moving the headjoint, a breakthrough that significantly enhanced intonation across different keys and has persisted in modern flute design.
• Quantz's ingenuity extended to the addition of the Eb key. This pivotal inclusion facilitated effortless execution of the Eb note, elevating overall playability and enabling smoother transitions between notes. The Eb key remains a testament to Quantz's commitment to advancing flute technique.